The story of Sonny Bell (Freeman), an aging Chicago Blues musician, who refuses to retire and defiantly hits the road with his band for one last long-shot to keep doing the only thing that makes them all feel truly alive--play Blues. The story is inspired by Stone's experiences touring and playing harmonica with many of blues music's most revered artists.

For an attorney who despises losing to men and an A-list actor who distrusts women, love means nothing — until they're forced to date each other.

I see 　　You see 　　I want to see how you see 　　You want to see how I see 　　I see how you are seeing me 　　You see how I am seeing you

I see 　　You see 　　I want to see how you see 　　You want to see how I see 　　I see how you are seeing me 　　You see how I am seeing you

Theo and Frances, an artsy downtown couple, are driving to a dinner party at their old friend Zoe's new house in a wealthy suburb of NYC. Lost and frustrated, they call Zoe's husband for directions. When the answering machine picks up, they're unknowingly recorded, making a series of unforgivable comments, criticizing their old friends and their various life choices. After an unexpectedly pleasant reunion over dinner, it quickly becomes a painful nightmare for all. A darkly comic take on the dual realities of friendship.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

The plot is based on the story of a meeting and reconciliation after many years of separation of the Mikhailovs, the realization of a mistake they made in their youth. Once they were too lazy to understand each other. He left for the construction site in a hurry, and she, having accepted his departure, did not forget the offense. A few years later, the hero came to his wife and grown-up daughter

Dr Shivani Dutt living and working in a hospital in London, notices some of her colleagues delving in organ trafficking. Before she can expose them she is involved in an accident, leaving her on a life support machine.

Years ago in a small town, the disappearance of several children remains a mystery. When three outcast brothers steal a strange board on Halloween, they unknowingly summon a horde of ghouls and open the door to the nightmare from the past.